Full version Hamlet Movie Comparison

Hamlet Movie Comparison

This print version free essay Hamlet Movie Comparison.

Category: Music and Movies

Autor: reviewessays 27 December 2010

Words: 634 | Pages: 3

Thesis: The two Hamlet movies differ in Major Relationships, the Settings, and the Director’s Choices.

Depiction of Major Relationships:

Kenneth Branagh’s movie:

1. Claudius and Gertrude: Hug each other, Holding hands. Gertrude seems to suspect Claudius of something. When he was talking to her once, she refused to talk to him.

2. Hamlet and Ophelia: Passionate, and they care about each other. It is suggested that they slept together. Ophelia and Hamlet seem more mature because they are older.

3. Hamlet and Gertrude: A little bit of abuse, and disrespect towards Gertrude when Hamlet was pretending to be mad. In the end, he does care about her because he talks about repenting her sins.

4. Hamlet and Claudius: Hate each other, there are a lot of awkward pauses. Claudius wants Hamlet dead.

Franco Zeffirelli’s movie:

1. Claudius and Gertrude: More passionate, incestuous. Kiss each other a lot, Gertrude seems to love him.

2. Hamlet and Ophelia: More formal relationship, they don’t seem to love each other a lot. He still seems angry when she doesn’t respond to him. More of an infatuation.

3. Hamlet and Gertrude: Hamlet is rough with his mother. Too loving at times, they kiss. He doesn’t seem to care about her too much.

4. Hamlet and Claudius. Seem to hate each other more. Hamlet keeps making trouble for Claudius.


Kenneth Branagh’s movie:

1. Set in Edwardian times. The setting is more of a palace then an old medieval style castle.

2. Ghost meets Hamlet in the forest. The dark and mysterious forest represents the mystery of the ghost and the dark truth about King Hamlet’s death.

3. The palace has bright vibrant colours which contrast well with the dark themes that the play talks about.

Franco Zeffirelli’s movie:

1. Set in medieval times. The setting seems to fit more with the story with being an old castle.

2. Ghost meets Hamlet on top of the castle alone. The top of the castle could represent the closest point to heaven. The fact that it is night represents the mystery of the ghost’s appearance.

3. The castle has dark colours, which represent the dark themes in the play. The colours help to support the different themes.

Director’s Choices:

Kenneth Branagh’s movie:

1. Shows small flashbacks about some people to press a fact, or show a memory that person had.

2. The players for “The Mousetrap” have men and women to show that in that time period, women could act and be in shows.

3. The “To be or not to be” speech is done facing a mirror. This shows that Hamlet is brooding and talking to himself. The mirror represents Hamlet talking to himself about his thoughts. This is also not a soliloquy, as King Claudius is listening in.

4. Fortinbras invades Denmark instead of just passing through to get to Poland. This shows Fortinbras as a very strong man because he invaded Denmark even after his uncle told him not to.

5. This movie shows the burial of Hamlet. The director probably chose to do this to give Hamlet a good send-off, and end the movie on a grand scale.

Franco Zeffirelli’s movie:

1. Doesn’t show any flashbacks. This was done so that the viewer could focus more on the characters.

2. The players for “The Mousetrap” have men playing the women’s parts to show the time setting back then.

3. The “To be or not to be” speech is done talking to himself while looking at his mother and Claudius. In this way, Hamlet is thinking of killing himself while looking at his mother and father. This may say that the marriage of his mother and his new father is so bad that he feels like killing himself because of it.

4. Fortinbras isn’t mentioned in the play. This is done because the director didn’t want the viewer to switch their attention to Fortinbras and keep their mind on Hamlet.

5. This movie doesn’t show the burial of Hamlet, and ends just with him dead. This ends the play in a very dark mood, and keeps Hamlet’s death in the viewer’s mind.